dc.contributor.author | Abboud, Wissam R. | |
dc.date.accessioned | 2020-09-28T06:18:19Z | |
dc.date.available | 2020-09-28T06:18:19Z | |
dc.date.issued | 2018 | |
dc.identifier.citation | Abboud, W. R. (2018). The musical language of heavy metal : a study of form, rhythm, modes, and harmonic structure (Master's thesis, Notre Dame University-Louaize, Zouk Mosbeh, Lebanon). Retrieved from http://ir.ndu.edu.lb/123456789/1210 | en_US |
dc.identifier.uri | http://ir.ndu.edu.lb/123456789/1210 | |
dc.description | M.A. -- Faculty of Architecture, Art and Design, Notre Dame University, Louaize, 2018; "A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Arts in Music."; Includes bibliographical references (leaves 65-67). | en_US |
dc.description.abstract | As a classical musician who has played in the styles of twentieth century popular music, I developed an interest in studying and analyzing popular music, particularly Heavy Metal music. This study focuses on Heavy Metal's musical language of the period between the early 1970s and mid-1980s, including bands such as Deep Purple, Black Sabbath, Ozzy Osbourne, Judas Priest, and Iron Maiden. It covers the historical background of the style, then analyzes extensively the harmonic structures of the genre and examines the form, rhythm, and melodies using statistical data from a corpus selection of Heavy Metal repertoire. | en_US |
dc.format.extent | x, 100 leaves : illustrations, music | |
dc.language.iso | en | en_US |
dc.publisher | Notre Dame University-Louaize | en_US |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | * |
dc.subject.lcsh | Heavy metal (Music) | |
dc.subject.lcsh | Musical intervals and scales | |
dc.subject.lcsh | Musical meter and rhythm | |
dc.subject.lcsh | Heavy metal (Music)--Instruction and study | |
dc.title | The musical language of heavy metal : a study of form, rhythm, modes, and harmonic structure | en_US |
dc.type | Thesis | en_US |
dc.rights.license | This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 United States License. (CC BY-NC 3.0 US) | |
dc.contributor.supervisor | Beyrouti, Lola, Ph.D. | en_US |
dc.contributor.department | Notre Dame University, Louaize. Department of Music | en_US |
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