My dissertation explores the influential power of visual culture in reforming how we aesthetically behave with relation to contemporary television images. This influence depends on psychological and cultural structures that are linked to the television imagery, and more precisely to visually disturbing images. The approach to this question aims at examining a new aesthetic generated by the means of its television persona. I intend to tackle this by, first, drawing on the meaning of the weird and strange imagery that underlies the new aesthetic. Second, to recognize the new aesthetic tangible ...